“The timing of the Convention Center’s completion is bittersweet,” said MAPS Program Manager David Todd. “We hoped to celebrate the building with a ribbon cutting and public tours, but to keep people safe we are waiting until the pandemic subsides in 2021.”
The center will draw events that bring attendees from around the region and world. It will provide a boost to Oklahoma City’s economy and serve as a venue for local events.
“The Convention Center is the largest single MAPS project ever and promises to bring a long-term economic impact worthy of that investment,” said Mayor David Holt. “It’s the linchpin to what is now the finest meeting destination in the country, at least for a city our size. The synergy is unparalleled between the Convention Center, Scissortail Park, the Omni Oklahoma City Hotel, Chesapeake Energy Arena, and the OKC Streetcar that links it all to Bricktown and the rest of downtown. When we’re past COVID-19, this will draw interest to OKC we’ve never seen before. None of this would be possible without the voters of 2009, the taxpayers, and the leadership provided by former Mayor Mick Cornett, our other predecessors on the City Council, and the Greater Oklahoma City Chamber, which specifically championed this project. We are grateful to everyone who made this possible. Also, thanks to those who helped design and construct such a beautiful building, especially our MAPS 3 Citizens Advisory Board and our MAPS office.”
The building is east of Scissortail Park along Robinson Avenue between SW 4th and SW 7th streets.
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“This venue is a vision realized for the Chamber, as we have been championing its construction for nearly 15 years. This is undoubtedly a game-changer for Oklahoma City as we emerge as a strong convention destination,” said Greater Oklahoma City Chamber President and CEO Roy Williams. “We’re already seeing great interest and convention bookings from meeting planners who are excited that OKC provides the full attendee experience their groups expect.”
Like the park and many other important landmarks downtown, it is served by the OKC Streetcar.
“This is a once-in-a-lifetime project for the MAPS 3 office, Citizens Advisory Board, Convention Center Subcommittee, and consultants,” Todd said. “It is an architectural gem from the floor to the ceiling, and we are proud to have completed the project on time and on budget.”
The 500,000-square-foot interior includes a 200,730-square-foot exhibit hall on the first floor, which is divisible into four halls. About 45,000 square feet of meeting spaces are on all levels of the building, and many have operable walls to make the spaces flexible. The rooms can be configured to provide up to 27 meeting spaces. A 9,700-square-foot junior ballroom is located on the third floor. The building’s fourth floor features a 30,000-square-foot ballroom along with pre-function space and a large balcony.
SAVOR is the building’s in-house catering partner that offers chef-driven creativity and seasonally available local ingredients.
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Landscaping outside the convention center uses native plants and trees well-suited to the local climate, with a focus on sustainability, comfort, and beauty. A central plaza and other spaces will help the convention center’s exterior come alive with activity.
The Convention Center is next door to the Omni Oklahoma City Hotel, which recently opened as the 605-room headquarters hotel. A skywalk connects the Convention Center to a multi-story parking garage.
The convention center is managed by ASM Global, the same company that manages Chesapeake Energy Arena and former Cox Convention Center building. The center began hosting events in January, with the first large convention scheduled for March.
“The Oklahoma City Convention Center is a game changer for the OKC destination and will attract new customers from the meetings industry,” said ASM Global/OKC Convention Center General Manager Al Rojas. “There are 16 national conventions on the books through 2026 that will contribute significant economic impact to the local economy.”
Although the building is considered complete, workers remain on site to finish punch list items.
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Each individual light is programmed for color, intensity, and duration, emitting light that is then reflected and enhanced by the titanium. The result is a matrix that can display three-dimensional forms moving through space much like clouds.
The artwork was created by Los Angeles-based Narduli Studio led by artist and architect Susan Narduli. At $1.5 million, Virtual Sky is one of the most valuable works in the city’s public art collection and was funded as a part of the city’s 1 percent for art ordinance. The ordinance requires 1 percent of the construction budget for public projects to be spent on public art.
Voters approved MAPS 4 in December, and sales tax collections are under way.